March 15, 2017 issue | |
Community Connection |
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Indo Caribbean Golden Age Association's 10th Annual Chowtal Festival |
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Trophy presentation at this year's Chowtal Festival held at the Vishnu Mandir: From left, ICGAA President Karna Persaud (in white dress), Dr Doobay receiving trophy from Shaw Jaundoo, ICGAA Chair Leila Daljit, Mac Gurdial along with children from some of the groups. Photo by Vijay Rampat. | |
By Ramdat Jagessar The milestone 10th annual Holi and Chowtal Festival organized by the Indo Caribbean Golden Age Association (ICGAA)along with participants from several Toronto Temples was a grand success on Saturday, March 4 at the Vishnu Mandir in Richmond Hill. Nine chowtaal groups and several performers got together to celebrate the beginning of Spring with a packed audience. Several different countries and the Canadian community were represented in the festival, which has been growing exponen-tially since its small beginnings in 2007. Holi or Phagwa is a Hindu festival which has proved popular with the estimated 200,000-plus Hindus living in the Greater Toronto Area. Organizers from the Indo Caribbean Golden Age Association were specially pleased with the great participation by children, as this was the outcome the group was aiming for – to pass the culture on to the next generation. They passed the 10-year trophy to Vishnu Mandir Chair Dr Budhendranath Doobay to be placed in the Museum of Hindu Civilization located in the Vishnu Mandir premisesl. A special thank you to those who helped to accomplish this success goes to the Vishnu Mandir, the Vedic Cultural Centre the Devi Mandir, sponsors, volunteers, musicians and performers. These annual events would not be possible without the dedication and showmanship of these groups: Enmore, Prakash Ramayan, Shiva Milan Mandir, Debe Penal, Kabir Associates, Devi Mandir, Saraswati Prakash, and Harinarain Temple. Over the years, members of the ICGAA have persisted with their vision and dedication to ensure that this annual Festival is observed and thereby preserving its legacy for the next generation and beyond. The Holi Festival embodies lofty and significant human values that contribute to creating stronger bonding among all members of the community and the society at large. For info about ICGAA, call Karna Persaud at 905-239-2631. |
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Reza Aslan’s 'Believer' - An exhibit of unconcealed Hinduphobia | |
By Prashant Parikh CONTENT ANALYSIS: Here, for the sake of public scrutiny, we sample two excerpts from the episode hosted on the CNN website. Video Excerpt 1: http://www.cnn.com/videos/world/2017/02/27/believer-reza-aslan-who-are-aghori-sahdus-india-orig-ff.cnn/video/playlists/believer-with-reza-aslan/ (Video length: 2:47 min.) Reza Aslan (RA): “There is a sect of Hinduism called the Aghori, challenging the very fabric of Indian society” (0:17- 0:23) Video Excerpt 2: http://www.cnn.com/videos/tv/2017/01/20/believer-reza-aslan-india-clip-1.cnn/video/playlists/believer-with-reza-aslan/ (video length: 1:11) Title: Face to face with a cannibalistic sect Response: Eating the remains of the dead form a part of an Aghori’s practices, not the defining factor, and by no means is it an honest way to describe them – especially in the Title of a video. The term ‘cannibal’ carries with it a strongly negative connotation in the Western society, and harks back at the imagery of the untamed savage. Calling the Aghoris a Cannibalistic sect is a loose and incredibly irresponsible way of putting it. To illustrate the absurdity of it, I cite a few equally ludicrous examples: The Cost of Hinduphobia |
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Psychological Risk: The deleterious effects of such documentaries could greatly bias the impressionable minds of young school-going children, against their Hindu classmates. This could take the form of ridicule, bullying, social isolation, or looking upon them as outsiders. Effectively, the Hindus, now, could potentially be perceived as the ‘inscrutable other’, much like Aslan’s has portrayed. The Substantial Risk to Life *Yvette Claire Rosser, “Stereotypes in Schooling: Negative Pressures in the American Educational System,” (ITS: Pg. 39) (Prashant is a student of traditional Advaita Ved?nta. In addition to his adhy?tmika pursuits, he is also strongly committed in upholding the Dh?rmika tradition.) |
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Memories of Phagwa in 'the old days' in Rosignol |
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"...a week of joy and abandon" | |
Chowtal singing at Phagwah time. Painting by Pt Vidur Dindayal, London, England. |
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By Vidur Dindayal Phagwa, widely known as Holi, the spring festival, is highlighted by jollity outdoors, singing, dancing, sharing of sweets, and showering each other with abeer, magenta coloured, perfumed scented water. I learnt the story of Phagwa in lessons at our Hindi School at Rosignol, Guyana, in the 1940s. It celebrates the triumph of the godly son Prahalad over his father, the demon King Hiranyakashyipu. It also celebrates the spring harvest festival at Phaalgun, the last month of the Hindu year. The celebration of Phagwa in those days lasted over a week. The real fun for us children was freedom to play. Play included eating lots of sweet things, all washed down with sweet pine drink. There was merrymaking, non stop. The happiest memories for me as a child was the way our parents, uncles and aunties seemed to abandon work and all cares and enjoy each other’s company. Everyone seemed to belong to one big happy family. When they met, they put a touch of attar – perfumed oil, on the back of each other’s hands, put a bit of prasad in each other’s mouth, and embrace one another. The older uncles and aunties would often say, ‘Happy Happy Phagwa, we don’t know if we will live to see another Phagwa.’ There was the pichkaari – pump filled with abeer which they used like a garden hose to spray everyone with the coloured liquid. My phoowa – father’s sister – emptied half a bucketful of abeer over him when he sat down to sing chowtal. Food was laid on in every home, to enjoy after a hearty session of chowtal singing. Chowtal singing was the high point of Phagwa. Grown ups in a chowtal group, singing phagwa songs, go from house to house, street to street. Everywhere a big welcome awaits you. One group comes down the road from Blairmont estate. You hear the drums beating. As they get nearer you hear the fast tingling, jingling, clanking sounds of jhaanj – brass cymbals, each person with a pair of jhaanj making music. They get near to your house and the sound gets louder. You hear the singing, in between loud hails of 'Holi Khele Raghubeer, Holi Khele Raghubeer'. They reach your home and you greet them with a drenching of abeer, big embraces and sweet drinks. They then settle down to serious chowtal singing. I watch at first, but as the singing goes on, I get into the spirit of it, pick up key words and I chime in. When the chorus comes I give it all I've got, singing my heart out. I feel great. A contest is exciting. The best singers in two groups sit opposite one another. One starts off with a chowpai – verse; the rest join in; the other side takes it up, till both groups sing themselves to a frenzy. Then the group opposite takes turn to lead. After a good hour or so of hard singing, it is breaktime. Prasad – blessed food – is served, then water melon, bananas, sweet drinks. This is followed by a full meal of daal, rice, aloo curry, plus lots of extras: bara, phulowri, channa and sweets gulgulla, mithai, gulaab jamoon, and jilaybi. After good wishes we set off for the next house singing. Every house is visited from Cotton Tree to Rampur. A house not visited that day would be called on the next day. That was Phagwa in the old days, a week of joy and abandon. It was real bliss. It was fun to see our parents enjoying themselves and we too joined in the fun. |
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Denham Jolly book signing | |
On Friday, March 17 at 6:30pm at A Different Booklist Cultural Centre, 777-779 Bathurst Street, Toronto signing of Denham Jolly's book, "In The Black". |
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< Guyana | |